This is the third in my new trio of leaf drawings.  It measures 9″ x 15″, done in colored pencil on Strathmore Bristol Board.  I am really enjoying working on this series, if I can call it a series.  I’m planning on doing a very different drawing next of a hawk on a snow-covered woodpile.  But I’m sure I’ll return to this subject matter at some point in the future.  I have an incredible trove of photographs I’ve been working from, taken a couple of years ago on a clear fall day after a very violent night storm.  It knocked down leaves that hadn’t lost their vibrancy yet, and knocked down all at once leaves that usually fall at very different times.  I’ll have to keep an eye out for a storm like that next autumn.  For now, us New Englanders are just trying to survive this winter – it has been crazy with record snowfalls, ice storms, rain, and cold.  Spring and Summer are looking really good right now!

National Pencil Day

Happy New Year to all!  I can’t believe it’s been over a month since my last entry.  It was a busy and fun holiday season, especially with my older son home from college and all of us together as a family, but I’m glad it’s over and we can move back into our “normal” schedules and closer to spring.

I’ve been working on this small oil (8″ x 10″) and while it’s still not finished, it’s nearing completion.  It’s difficult to paint a very white rock, and I’m finding that getting the subtle, embedded color variations requires lots of layering.  I have also started another oil painting of stones, and done an artists trading card for the first time.  It’s very interesting to work on such a small scale, and seems to require an entirely different way of thinking about composition and scale.

I still have a couple more ideas for oils and drawings in this series.  I want to do at least one large oil (approximately 3′ x 4′) and see what that brings to the table, so to speak.  I used to work at that size and larger, so it will be fun to try it again.

I hope the New Year is going well for everyone, and would love to hear from any and all with a comment!

Here is a photograph of the latest drawing I’ve been working on – an array of stones.  I really did get them to balance like that!  My friend, the photographer Jan Reiss, dubbed me “Andrea Goldsworthy”.  I love environmental art – organic matter arranged in nature and then photographed, or visited before it vanishes.  The colors of the stones have been accentuated, but they only take on a more pronounced hue of the color they really are.

I’ve started another drawing on Canson Mi-Tientes, and am off to buy more art supplies tomorrow to start a new oil painting.  I spent several days this past week attempting to stage and photograph ideas I have in my head.  Does anyone else find that they get these glimpses in their imagination of what they want to create, only to find it so difficult to try and create the vision in real life?  It’s almost like operating in a dream state, and it’s very frustrating.  Maybe I’ll get better at it, but I did manage to accomplish some semblance of my ideas. . . .we’ll see where it takes me.  Any tips or advice from anyone?

I also had a small exhibition of colored pencil drawings last night in conjunction with a wonderful concert by the Choir of King’s College London.  This was part of the St. Andrew’s Performing Arts Series (SAPAS).  More information about upcoming SAPAS events can be found at www.sapas.org.

These college students gave a superb performance of Renaissance and contemporary choral works.   The Choir of King’s College London is one of the most acclaimed mixed voice university choirs in England, comprising about 27 undergraduates who are awarded choral scholarships, and in addition to performing Renaissance polyphony, they have an extensive and well-reviewed collection of discography available.

I wanted to include a copy of the program cover, which includes my name in such a prominent way that, had they not put “(colored pencil)” after my name, it looks like I was a star soloist!  I found this quite amusing, as it’s the closest I’ll ever get to performing with my voice in public!

Finally!  I can’t believe two weeks has gone by since my last post, but it really has been a busy time.  We had a wonderful week of scuba diving in Curacao and man is it hot at the equator in August!  There are so many wonderful birds down there on the island including Venezualan Trupial, Yellow Orioles, Brown Pelicans, Brown Footed Boobys, Yellow Warblers and my new favorite island bird, the Bananaquit.  These little birds, called “Honey Bears” by the locals, come up to your dining table and try to fly away with sugar packets, drink your orange juice, or scrounge fruit off your plate.  We took to feeding them (for photographic purposes, of course!) and as the week progressed we found that a nice piece of watermelon with some raw sugar on top was just the trick for attracting lots of birds.  Check out the photos below.

Okay, one more vacation photo, just one more. . . . promise.  I couldn’t resist putting this guy on here.  My son found this iguana resting in the shade of it’s self-dug hole in the midday heat.

On to my drawing, which I finished today.  I really like this one, but like most things I work on, I feel too close to it right now to see it clearly.  I am really enjoying developing this body of work, which is surprising to me, as I originally thought of doing perhaps one or two rock drawings.

I’ve already started the layout of the next piece, which will be much larger than the previous drawings in this series.  I’ve been keeping them to approximately 9 x 12 inches in size, either horizontally or vertically.  I’ve decided to work larger on this particular drawing, and am starting out with dimensions of 15 x 20, although it may change some with the cropping for framing.  I going for a more dramatic presence and lighting with the new piece, and I think increasing the scale will help accentuate that.

I’m eager to move onto the next drawing in my rock series, and plan to try and incorporate water in the drawing.  Coincidentally, I’m just back from the 17th Annual Exhibition and Convention of the Colored Pencil Society of America, where I took a workshop with CPSA Artist Pat Averill on the power of water. . . entitled “Unleash the power of water in your drawings”.  Below are two photographs from the workshop: one of friends Dee Overly (left) and Mari Kaye Moehl (right) working on one of the four projects we tackled that day, and the other of workshop instructor Pat Averill.  I’m not sure that the workshop concepts will transfer to my drawing, but you never know!  We worked on the distortion of images in reflected water, drawing moving water (ie – surf), drawing water moving over rocks, and looking at wet sand to dry sand within the context of a seascape.

I’m finally getting back to work in my studio.  My younger son is off to camp for three weeks, and I’m recuperating from a minor surgical procedure yesterday on my right leg.  My mind finally feels freed up again.  I don’t think I realized how preoccupied I was with the surgery as it loomed in front of me – I’m so happy to have it behind me.  And since I can’t ice skate or exercise for at least one week,  I have plenty of time to catch up on all sorts of things in my studio!  I’ve already organized many details that I had let slide – completing a list of unframed and framed drawing sizes; deciding which competitions to enter for the remainder of 2009, those types of things.

Now I am playing with stones in my studio, and toying with the idea of doing a series of 10 drawings and trying to complete them this summer.  Working on the Canson Mi-tientes goes a little faster than the Strathmore Paper I usually use, so maybe this is possible?  I have all sorts of ideas about combining stones with other simple elements, much like the drawing I just completed – “Rocks and Egg in Vase”.  It’s an entirely different thing to see if it works.  But I like the idea and am going to try and run with it!

Happy Summer, and if you live in the Northeast, let’s hope the sun comes out soon.

“Being in doubt is uncomfortable, but being certain is ridiculous”

-  Voltaire